CREATORS CONNECT – CORBYN JOHN
Hey guys, it’s KOJ again and I’m back with yet another epic interview for Creators Connect.
Today we have an extremely interesting chat with one of Liverpool’s ‘new school’ nomads: Corbyn John. Hailing from a small town in Ireland, Corbs travels globally to produce videography for some of the titans of the music industry. We can find Liverpool’s own MiC LOWRY among names such as 50 Cent and Take That on the long list of clients Corbyn has worked projects for.
I wanted to know more about his journey; what inspired him to pick up the camera, how he creates such a special feel using videography and what are some of his favourite moments thus far in his career. So without further ado, let’s take a walk through the world of Corbyn John.
You’ve made quite the name for yourself in and around the North West music scene, how did your journey start as a videographer?
Growing up in a small town in Ireland, I often felt disconnected from those around me, especially as a creative mind. The allure of the media and music industry always captivated me; my earliest memories of music videos, TV shows, and films sparked something deep within me. When I got my hands on my Grandad’s camera at 15, little did I know it would become the bridge connecting me to the community I longed for. It’s amazing how that simple act of picking up a camera opened up a whole new world for me, a new perspective, a new sense of purpose. Since then I’ve continued to document & express all things music.
How does music inform and integrate with your work?
Music has always played a significant role in my creative process. It serves as a source of inspiration, setting the tone and mood for my work. Whether I’m editing videos or working on photography projects, music helps me stay focused and motivated. The rhythm and melodies often influence the pace and style of my creations, enhancing the overall visual impact. Music will always complement and elevate the storytelling in my work & personal life.
Can you tell us about how you bring an artist’s or bands music to life via visuals?
It’s evident that music plays a pivotal role in all my endeavours, be it in music, fashion, or sports. When collaborating with an artist or band especially, my aim is to craft visuals that not only convey a message but also enhance the overall audience experience. Immersing in the culture and grasping the emotions the music stirs, I strive to translate those sentiments into visuals that connect with their community. Whether it’s through social media, music videos, album covers, or promotional materials, my ultimate goal is to put trust into my client and visually breathe life into the who, what & where that artist or band represents.
What directors are you inspired by and how do they inform your work?
Directors like Cole Bennett and Spike Lee serve as significant inspirations for me. Their unique styles and storytelling techniques influence my style by pushing me to innovate uniquely. I draw inspiration from their ability to create raw narratives that resonate with the subject’s environment, texture & culture on a deeper level. Incorporating elements of their work into my own direction has allowed me to not be afraid when trusting my instincts when pursuing my creative process. Furthermore, I also source inspiration from the vast selection of creatives in Liverpool, my peers push me and change my perspective in videography daily,
Does your filming method/editing style change depending on what genre of music you are shooting, if so how does it change?
I’m always adapting new methods, new techniques, and new technology into my work, which is continuously evolving. I’m very conscious of the genre, artist or brand I’m representing. However, I believe my work remains consistent throughout any project, due to my nature of fusing together elements from every genre and industry itself. There’s inspiration from music in my fashion work and fashion within my music, I believe my clients know what they are looking for when entrusting me with their vision.
Share 3 music focused projects that you have done and let us know what your process was to create them the way you have.
50 cent ‘the final lap tour’ film – one of my most memorable productions was with 50 cent. The visuals I produced focused on providing insight into 50’s performance and the interactions from the all acts both off-stage & on, such as Busta Rhymes, Jeremiah & more. Working with such prolific artists, it was essential to provide a high-quality, fast-paced & socially engaging piece.
TakeThat – I’m currently working with Take That, documenting their ‘this life’ tour. I’m involved in providing content with a fast turnaround for each of their tour locations. Working with industry legends of this caliber has been such a valuable experience.
MIC LOWRY – next up music video – This project holds a special place in my portfolio as it marked the beginning of my collaboration with high profile artists / bands in Liverpool, setting the tone for my career going forward. It brought a fresh wave of momentum and growth to my professional journey.
If you could shoot visuals for 3 artists (alive or dead) who would they be and why and what would you do with them?
Kanye – Despite the controversy, I think Kayne is the embodiment of creativity not only in music but in fashion, culture & more. To work with him, to learn from him would only benefit my own creative process.
Bob Marley – Who wouldn’t want to work with Bob Marley, he was truly a visionary.
Drake – I’m heavily inspired by Drake’s visuals, especially his productions documented by Theo Skudra. The attention to detail & raw aesthetic he strives for, is elements that I also try to expose within my work.
What 3 songs would be on the soundtrack to your career and why?
Potter Payper – Purpose
Tems – Free mind
Drake – Time Flies
